Disgustingly Beautiful (feat....by Manu Delago

The producer establishes a more aquatic vibe throughout sophomore album Lustmore. The compositions are more straightforward than those on Nostalchic, merging saxophones and billowing synths with results resting somewhere between James Blake's sparsity and early 2000s neo-soul. "We Lost", in particular, resembles a Musiq Soulchild track—the instrumental is decidedly Soulquarian; the vocals are mostly indecipherable. "Whenever I think about the album I think about the bar scene in The Shining," Howard told FACT in January, speaking of Lustmore. "There's something about that strange, hallucinatory psychological madness that relates to the music." To that end, Lustmore doesn't really move; it lingers like dense fog until it slowly dissolves. 2015. lapalux.com

Percussionist and composer from London. He has collaborated with Bjork, The Cinematic Orchestra and Anoushka Shankar