John Richards

John Richards

John Richards

The Morning Show
Last show: Wednesday, Oct 23 2024, 7AM
john@kexp.org
Friday, Apr 30 2021, 7AM
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Good morning and happy Friday. You're listening to The Morning Show with John Richards on International Jazz Day. -- "Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called Jazz, there is a stepping stone towards all of these." - Dr. Martin Luther King, Jr. -- Here'es the complete text of Amanda Gorman's "The Hill We Climb": bit.ly
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"Considered by many to be the greatest jazz vocalist of all time, Billie Holiday lived a tempestuous and difficult life. Her singing expressed an incredible depth of emotion that spoke of hard times and injustice as well as triumph. Though her career was relatively short and often erratic, she left behind a body of work as great as any vocalist before or since." Enjoy a PBS tribute to this American master: www.pbs.org
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Ray Charles was born in Albany, Georgia and moved to Florida as a child. At the age of 5, he began losing his sight gradually; by age , he was completely blind. In Florida, he studied at the St. Augustine school for the deaf and blind, where he first learned to play the piano. He then moved to Seattle, where he began to be published as a musician.: www.biography.com
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Miles Davis’ “Kind of Blue" was recorded in 1959 and has gone on to sell more copies than any other jazz album in history. It is still on the list of the 100 top-selling albums almost every year, and has even been recognized by the U.S. Congress as a national treasure. -- This song, called “So What,” is one of the most recognizable jazz songs around the world. It features Miles Davis on trumpet, John Coltrane on tenor sax, Cannonball Adderley on alto sax, Bill Evans on piano, Paul Chambers on bass and Jimmy Cobb on drums.
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"Jazz is indefinable. To understand jazz, you need to merge yourself with its pulse and lose yourself to its sounds and let it flood your soul. It is the most democratic form of music: it has taken the sounds, movements and cadences of whatever form of music from whichever countries it travelled to." - Shankar Mahadevan --- KEXP presents Digable Planets performing live at Kex Hostel in Reykjavik during Iceland Airwaves, 2016: www.youtube.com
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Unlike most of the great jazz music of 1959, including the previous Miles Davis song, "So What," which were played mostly in four-four time, this extraordinary work was in five-four time. "It's time that the jazz musicians take up their original role of leading the public into a more adventurous rhythm," Dave Brubeck said.: www.npr.org
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The spoken opening lines "Ladies and gentlemen, as you know, we have something special down here at Birdland this evening: a recording for Blue Note Records" are a reference to the famous Birdland Jazz Club in New York City. This line is actually Pee Wee Marquette's opening announcement from Art Blakey's first Birdland album "A Night at Birdland Vol. 1" in 1954. --- This song covers Herbie Hancock's "Cantaloupe Island."
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This song was written by Billy Strayhorn, who played piano and wrote arrangements for Duke Ellington's band. Strayhorn recalled that the song that became the signature opening piece for Duke Ellington and his Orchestra came to him with very little effort. In fact, he said that the music and lyrics for "Take the A Train," originally recorded on February 15, 1941 by Ellington for Victor Records, came more quickly than the subject of the song itself – the New York subway line to the Sugar Hill District of Harlem. It was so easy for him, he said it was "like writing a letter to a friend."
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The main sample in this song is provided by pianist Thelonious Monk, who even has his say himself via vocal sample at the beginning of the song. The cut-out piano snippet is from his piece "Light Blue." --- “Jazz Thing” was released as a single for the soundtrack of Spike Lee’s 1990 jazz film "Mo' Better Blues." Spike advised the group to adapt a poem regarding the history of jazz written by Lolis Eric Elie, and Guru wrote around the poem while Premier helped provide the jazzy backdrop. Here are the lyrics: www.azlyrics.com
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7:49 AM
3rd spin
"No matter what kind of day, week, month or year you’ve been having, it’s impossible to stay in a bad mood when you get an earful of the opening track from Weather Report’s 1977 album 'Heavy Weather.'" -- "From Jaco Pastorius’ opening bass figure, “Birdland” bursts with the rare brand of effervescent joy known only to the likes of Stevie Wonder. I don’t care if you “don’t like jazz.” The infectious groove of this music percolates with undeniable happiness as Wayne Shorter’s saxophone yearns for the sky. No matter what challenges you face, this music is guaranteed to help keep your soul aloft.": bit.ly
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7:55 AM
1st spin?!
Madhouse was a jazz-funk project from Prince and his horn player Eric Leeds. -- Prince composed and performed the bedrock of every track. Eric Leeds added lead melodies on woodwinds, and a few other associates like Sheila E. made occasional contributions, but this was a Prince project with Prince’s name purposefully left off. Leeds, a part of Prince’s entourage since the Purple Rain tour, recalls that his collaborator “wanted the music to be related to on its own merits, and perhaps was concerned that if it was released as a ‘Prince jazz album,’ it would draw more attention to the idea that Prince would play jazz than to the value of the music itself.”: jazztimes.com
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"Certain music, jazz in particular, has the ability to make you a better citizen of the world. It helps you expand your world view and gives you more confidence in your cultural achievements. Improvisational jazz teaches you about yourself while the swing in jazz teaches you how to work with others." - Wynton Marsalis --- See the powerful video for "Freeze Tag": n.pr
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Go right here to purchase this new music from Delvon Lamarr Organ Trio: delvonlamarrorgantrio.bandcamp.com
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8:12 AM
11th spin
In the early days of performing in New York City’s Greenwich Village, Nina Simone often closed out her performances with “Sinnerman.” The placement of the song in her setlist was intentional. In a documentary, she put it plainly: “I want to shake people up so bad that when they leave a nightclub where I’ve performed, I want them to be in pieces.”: www.udiscovermusic.com
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Watch a transcendent live performance of "Fists of Fury" in Minneapolis in 2018: www.youtube.com
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Originally appearing on 2010's 'I'm New Here,' this track from Gil Scott-Heron's 13th (and final) album received this re-imagining ten years later from American jazz drummer and bandleader, Makaya McCraven. --- Working with his regular circle of collaborators, many of whom have made highly regarded albums of their own in recent years (Jeff Parker on guitar, Brandee Younger on harp, Junius Paul on bass, Ben Lamar Gay on instruments and percussion), McCraven brings Scott-Heron’s work down to earth and situates it in a milieu the elder artist would have recognized.: bit.ly
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8:31 AM
4th spin
The track is based on the 1973 James Brown song "The Boss," which appeared in the film "Black Caesar." On his previous album, Ice-T released "I'm Your Pusher," which sampled the Curtis Mayfield song "Pusherman" from another blaxploitation film, "Super Fly.": medialoper.com
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"The 'original hip-hop band,' in business since 1981, Stetsasonic featured rappers, a human beatbox, a keyboardist, a drummer, and a young producer named Prince Paul. As summarized in the sublime "Talking All That Jazz," the album "In Full Gear" was meant to be a musical manifesto of all of the directions late-'80s hip-hop was expanding toward: revolutionary spoken word, JBs tributes, soul jazz, go-go, R&B, dancehall, turntablism, instrumental hip-hop, rap rock, even Miami bass."
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Watch a wonderful live performance by the Preservation Hall Jazz Band in our Gathering Space in 2017: www.youtube.com
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This classic was composed by swing era trumpeter and bandleader (later king of Las Vegas lounge acts), Louis Prima. Many years after it was composed, Prima recalled how the tune came to be: “I was out at the race track back in 1936 with Bing Crosby and George Raft. On the way home, the phrase ‘Sing, Bing, Sing,’ kept running through my mind. By the time I got home, I decided that wasn’t very commercial, and I changed it to ‘Sing, Sing, Sing.'” Read the story of the song that propelled drummer Gene Krupa and trumpeter Harry James to stardom: swingandbeyond.com
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Does this sound familiar? -- Watch the New Orleans band performing this Joy Division cover live in the KEXP studio in 2019 here: www.youtube.com
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This one's for you, Roscoe! -- Known for his idiosyncratic music and eccentric behavior, Thelonius Monk was one of the true jazz innovators. Monk's radical idea was not to add more notes to chords but rather take them away, creating much more dissonance.: www.theatlantic.com
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9:04 AM
8th spin
Be sure to tune in to KEXP's El Sonido show, with co-hosts Albina Cabrera and DJ Chilly, on Monday evenings from 7:00 p.m to 10:00 p.m. --- Cuban jazz artist Daymé Arocena's record Sonocardiogram is a soulful tribute to love and santería, a religion which developed in Cuba between the 16th and 19th centuries. Daymé on the release: “This record’s intention isn’t to make people happy, it’s very intimate. I know that what I share in that record are feelings that can be shared by many. They’re very intimate concepts, but also universal.”
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"Jazz is indefinable. To understand jazz, you need to merge yourself with its pulse and lose yourself to its sounds and let it flood your soul. It is the most democratic form of music: it has taken the sounds, movements and cadences of whatever form of music from whichever countries it travelled to." - Shankar Mahadevan --- Read about the life and career of this remarkable Brazilian musician who "makes music out of anything": bit.ly
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9:12 AM
1st spin?!
Before becoming successful, Piazzolla struggled with making ends meet, and it was during a particularly trying tour in Central America in 1959 when he learned of his father’s death. This triggered a bout of depression, and upon his return to New York after the tour he composed 'Adíos Nonino' as a tribute to his father. As his son Daniel recalled, “Dad asked us to leave him alone for a few hours. We went into the kitchen. First there was absolute silence. After a while, we heard dad playing the bandoneon[a kind of concertina]. It was a very sad, terribly sad melody. He was composing ‘Adiós Nonino’.”: interlude.hk
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Fela Kuti said, "Without Tony Allen, there would be no Afrobeat." This renowned drummer died almost exactly a year ago at the age of 79: www.kexp.org -- Read an NPR tribute to "Bra Hugh," legendary jazz trumpeter Hugh Masekela: www.npr.org
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9:24 AM
38th spin
In 1982, Michael Jackson and Quincy Jones sampled and tweaked this song’s central refrain — “Ma-mako, ma-ma-sa, mako-mako ssa” — on Thriller‘s “Wanna Be Startin’ Somethin’ ” (Dibango was originally not credited on the song and sued Jackson, but the pair eventually settled out of court.) From there, the chant would become a hip-hop staple, appearing on tracks like Kanye West’s “Lost in the World,” Will Smith’s “Gettin’ Jiggy Wit It,” A Tribe Called Quest’s “Rhythm (Devoted to the Art of Moving Butts)” and Jay-Z’s “Face-Off.” --- Manu Dibango, Cameroonian saxophonist, died last year of complications from COVID-19: bit.ly
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In this track, Q-Tip describes how music's influence spans the ages, from jazz coming through to hip hop, to Bobby Brown copying Michael Jackson. The track pays homage to Afrika Bambaataa and also samples from Art Blakey and The Jazz Messengers. Here are the lyrics: genius.com
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Toronto musicians Dream Warriors sampled Quincy Jones' 1962 "Soul Bossa Nova," which was also used as the theme music for the Austin Powers films and the television game show "Definition.": vancouversignaturesounds.com
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Have you ever seen/heard that version of "Golden Brown" done as if the Dave Brubeck Orchestra played it? It's awesome! Jon in San Diego -- In May, 2020, Dave Greenfield (keyboardist with The Stranglers), best know for the mega hit “Golden Brown” died at the age 71 after contracting Covid. Greenfield wrote the piece of music that would become "Golden Brown." His bandmates initially discarded the song not considering it a potential single, yet once released, the track became their biggest hit eventually winning the band an Ivor Novello award. A week following Greenfield’s death, British musician Laurence Mason puts together this off the wall idea of editing together two of his biggest musical heroes, namely Greenfield and Dave Brubeck. The result, this montage of Brubeck’s classic Take 5 and the Golden Brown.: jazzineurope.mfmmedia.nl
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9:39 AM
1st spin?!
"At age eleven, he had just begun to play the saxophone. At age twenty he was leading a revolution in modern jazz music. At thirty-four, he was dead from years of drug and alcohol use. Today, Charlie “Yardbird” Parker is considered one of the great musical innovators of the 20th century. A father of bebop, he influenced generations of musicians, and sparked the fire of one of the most important and successful American artistic movements.": www.pbs.org
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Buckshot LeFonque was a musical group project led by Branford Marsalis. The name Buckshot La Funke was a pseudonym used by jazz saxophonist Julian "Cannonball" Adderley for contractual reasons on the album "Here Comes Louis Smith": www.branfordmarsalis.com -- That's Maya Angelou reciting here. Here's the "Caged Bird" poem in its entirety: www.poetryfoundation.org
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9:50 AM
1st spin?!
"We all want to live in a jazz world where we all work together, improvise together, are not afraid of taking chances and expressing ourselves." - Herbie Hancock -- MC Solaar is the stage name of francophone hip hop artist Claude M'Barali (born March 5, 1969). By far the most internationally popular French rapper, he was born in Dakar, Senegal to parents from Chad.
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9:57 AM
84th spin
Stevie Wonder wrote this song as a tribute to music, specifically to Duke Ellington, who had passed away in 1974. "I knew the title from the beginning but wanted it to be about the musicians who did something for us," Stevie said. "So soon they are forgotten. I wanted to show my appreciation. They gave us something that is supposed to be forever. That's the basic idea of what we do and how we hook it up." In addition to Ellington, musicians referenced in this song are "Satchmo" Louis Armstrong, Ella Fitzgerald, Count Basie and Glenn Miller.
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